Sound Theory/Sound Practice, First Edition BFI Film Readers Routledge Paperback © 1992 ISBN: 0-415-90457-9 Publication Status: In Print Readership: Students of film and sound technology Published in English , First Published in the EU September 1992 Size: 256 pages US List Price: US $16.95 UK/European Community List Price: £11.99 Table of Contents: General Introduction: Cinema as Event The Material Heterogeneity of Recorded Sound Part One: Theoretical Perspectives Introduction: Four-and-a-half Film Fallacies Sound Space Rick Altman Reading, Writing, and Representing Sound Jim Lastra She Sang Live, but the Microphone was Turned Off: The Live, the Recorded, and the Subject of Representation Steve Wurtzler Wasted Words Michel Chion Part Two: Historical Speculations Introduction: Sound/History "Conversion to Sound] Alan Williams Translating America: The Hollywood Multilinguals 1929-1933 Natasa Durovicova 1950s Magnetic Sound: The Frozen Revolution John Belton Part Three: Neglected Domains Introduction: Sound's Dark Corners Women's Voices in Third World Cinema Amy Lawrence The Sound of Early Warner Bros. Cartoons Scott Curtis Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation Mary Pat Klimek Conventions of Sound in Documentary Jeff Ruoff Let There Be Sound: The Films of Andrei Tarkovsky Andrea Truppin Afterword: A Baker's Dozen of New Terms for Sound Analysis Notes Works Cited

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